Thursday, May 29, 2014

Reproductive health

Within the framework of the World Health Organization's (WHO) definition of health as a state of complete physical, mental and social well-being, and not merely the absence of disease or infirmity, reproductive health, or sexual health/hygiene, addresses the reproductive processes, functions and system at all stages of life. Reproductive health implies that people are able to have a responsible, satisfying and safer sex life and that they have the capability to reproduce and the freedom to decide if, when and how often to do so. One interpretation of this implies that men and women ought to be informed of and to have access to safe, effective, affordable and acceptable methods of birth control; also access to appropriate health care services of sexual, reproductive medicine and implementation of health education programs to stress the importance of women to go safely through pregnancy and childbirth could provide couples with the best chance of having a healthy infant.

Individuals do face inequalities in reproductive health services. Inequalities vary based on socioeconomic status, education level, age, ethnicity, religion, and resources available in their environment. It is possible for example, that low income individuals lack the resources for appropriate health services and the knowledge to know what is appropriate for maintaining reproductive health.

According to the WHO, "Reproductive and sexual ill-health accounts for 20% of the global burden of ill-health for women, and 14% for men." Reproductive health is a part of sexual and reproductive health and rights.

Tu Hi Toh Hai Khayal Mera

Bobby Jasoos

Monday, May 19, 2014

Fugly Fugly Kya Hai

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Caller Tune

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Monday, May 12, 2014


Cabaret is a form of entertainment featuring music, song, dance, recitation or drama. It is mainly distinguished by the performance venue (also called a cabaret), such as in a restaurant, pub or nightclub with a stage for performances. The audience, often dining or drinking, does not typically dance but usually sits at tables. Performances are usually introduced by a master of ceremonies or MC (sometimes spelled emcee in the U.S.). The entertainment is often (but not always) oriented towards adult audiences. Cabaret also sometimes refers to a Mediterranean-style brothel[citation needed] – a bar with tables and women who mingle with and entertain the clientele. Traditionally these establishments can also feature some form of stage entertainment, often singers and dancers or burlesque entertainers. French cabaret (from 1881) This section does not cite any references or sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2011) "Bohemians of the Latin Quarter inspired the first modern cabaret in Paris that emerged in the new bohemian quarter after the Paris Commune-Montmartre. Rodolphe Salis, an entrepreneurial entertainment agent, created the Chat Noir in 1881" (Haine 8).Haine, W.Scott (2013). The Thinking Space: The Café as a Cultural Institution in Paris, Italy and Vienna. Ashgate. p. 8. ISBN 9781409438793. It became a locale in which up-and-coming cabaret artists could try their new acts. The Moulin Rouge, built in 1889 in the red-light district of Pigalle, near Montmartre, is famous for the large red imitation windmill on its roof. It was a key venue in the careers of La Goulue, Édith Piaf and Toulouse-Lautrec. The Folies Bergère continued to attract a large number of people even though it was more expensive than other cabarets. People felt comfortable at the cabaret: They did not have to take off their hat, could talk, eat, and smoke when they wanted to, etc. They did not have to stick to the usual rules of society. At the Folies Bergère, as in many cafés-concerts, there were a variety of acts: singers, dancers, jugglers, and clowns. Le Lido, on the Champs-Élysées has been a venue of the finest shows with the most famous names since 1946 including Édith Piaf, Laurel & Hardy, Shirley MacLaine, Marlene Dietrich, Maurice Chevalier, and Noël Coward among them. Dutch cabaret (from 1885) This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2011) In the Netherlands, cabaret or kleinkunst (literally: "small art") is a popular form of entertainment, usually performed in theatres. The birth date of Dutch cabaret is usually set at August 19, 1895. In Amsterdam, there is the Kleinkunstacademie (English: Cabaret Academy). It is often a mixture of (stand-up) comedy, theatre, and music and often includes social themes and political satire. In the twentieth century, "the big three" were Wim Sonneveld, Wim Kan, and Toon Hermans. Nowadays, many cabaret shows of popular "cabaretiers" (performers of cabaret) are being broadcast on national television, especially on New Year's Eve, when you can choose from several special cabaret shows in which the cabaretier usually reflects on large events of the past year. German cabaret (from 1901) German Kabarett developed from 1901, with the creation of the Überbrettl (Superstage) venue, and by the Weimar era in the mid-1920s, the Kabarett performances were characterized by political satire and gallows humor. It shared the characteristic atmosphere of intimacy with the French cabaret from which it was imported, but the gallows humor was a distinct German aspect. American cabaret (from 1911) Cast of an American cabaret A Little Tribute Westward with Helena Mattsson and Patrik Hont do "Havana for a Night" at the Blue Moon Bar in Stockholm in 2003. American cabaret was imported from French cabaret by Jesse Louis Lasky in 1911.[6][7][8] In the United States, cabaret diverged into several different styles of performance mostly due to the influence of jazz music. Chicago cabaret focused intensely on the larger band ensembles and reached its peak during Roaring Twenties, under the Prohibition Era, where it was featured in the speakeasies and steakhouses. New York cabaret never developed to feature a great deal of social commentary. When New York cabarets featured jazz, they tended to focus on famous vocalists like Nina Simone, Bette Midler, Eartha Kitt, Peggy Lee, and Hildegarde rather than instrumental musicians. Cabaret in the United States began to decline in the 1960s, due to the rising popularity of rock concert shows, television variety shows, and general comedy theaters. However, it remained in some Las Vegas style dinner shows, such as the Tropicana, with fewer comedy segments. The art form still survives in various musical formats, as well as in the stand-up comedy format, and in popular drag show performances. Cabaret is currently undergoing a renaissance of sorts in the United States, particularly in New Orleans, Seattle, Philadelphia, Orlando, Tulsa, Asheville, North Carolina and Kansas City, Missouri, as new generations of performers reinterpret the old forms in both music and theatre. Many contemporary cabaret groups in the United States and elsewhere feature a combination of original music, burlesque and political satire, as can be found in such groups as Cabaret Red Light and Leviathan: Political Cabaret. In New York City, since 1985, successful, enduring or innovative cabaret acts have been honored by the annual Bistro Awards. British cabaret (from 1912) The 'Cabaret Theatre Club', later known as 'The Cave of the Golden Calf' was opened by Freda Strindberg (modelled on the Kaberett Fledermaus in Strindberg's native Vienna) in a basement at 9 Heddon Street, London, in 1912. She intended her club to be an avant-garde meeting place for bohemian writers and artists, with decorations by Epstein, Gill and Wyndham Lewis; but it rapidly came to be seen as an amusing place for high society, and went bankrupt in 1914. The Cave was nevertheless an influential venture, which introduced the concept of cabaret to London. It provided a model for the generation of nightclubs that came after it "The clubs that started the present vogue for dance clubs were the Cabaret Club in Heddon Street . . . . The Cabaret Club was the first club where members were expected to appear in evening clothes. . . . The Cabaret Club began a system of vouchers which friends of members could use to obtain admission to the club. . . . the question of the legality of these vouchers led to a famous visitation of the police. That was the night a certain Duke was got out by way of the kitchen lift . . . The visitation was a well-mannered affair'

Friday, May 9, 2014


Whether a man considers himself as intellectual or a roadside Romeo, things he notices in a woman are mostly the same. You know a man is lying when he says breasts are the last things he notices in a woman. We’re men and proud to be. There is a specific way in which our brains function. We bring to you a list of 8 things every man notices in a woman.
How a girl does her hair says a lot about how she keeps herself. If they’re too ornate or have been tied in a complicated fashion, you know she’s high maintenance.

Nothing makes a woman stand apart more than her body postures. It doesn’t take a second to distinguish a confident woman from a submissive one based only on her body language.

Of course the lips! One of the first things that attract men towards women are her lips.

A beautiful smile can totally floor men and they know it, which is why a man would always notice a woman’s smile.

It may be hard to believe for most women that men do notice their footwear, but it is very true. There is something extremely sexy about a woman wearing heels. A man always scans a woman for what she wears on her feet.

Be it a steely glance, or a flirtatious bat of an eyelid, a beautiful pair of peepers can do more damage to a man’s heart than anything else.

A woman’s demeanour and personality makes her stand apart from the crowd. Different men have different preferences. That is why it is almost impossible for a man to miss out on her attitude.

Let’s accept it, we all notice a woman’s breasts. It is just how we are made to be.

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